UPCOMING
ARIADNE IN THREADS: HEARTBREAK, LAMENT, AND THE ARRIVAL OF TRUE LOVE ONLINE TALK for MORBID ANATOMY
Tuesday March 4, 2025 @ 7:00pm (EST)/4:00PM (PST)
Tickets & more info via Morbid Anatomy
When Theseus enters the labyrinth to slay the Minotaur, Ariadne provides the thread that leads him back to daylight. For this, Theseus promises to marry smitten Ariadne and whisk her away to Athens. But midway through their journey, Ariadne is abandoned while slumbering on the beach. Waking to the sight of Theseus’ sails in the distance shocks and rends Ariadne into an outpouring of lament, a scene captured painstakingly across literature, art, and music. And yet, this lament is ultimately a song attracting the heart of Dionysos. Unlikely as it may seem for the god of uninhibited sexuality and transgression of norms, the marriage of Dionysos and Ariadne is the sole loyal union on Olympos. Then again, there is no one version of any myth. In this illustrated talk, we will look deeply at the devastation of heartbreak and the ecstatic arrival of true love as mythically entwined.
In this illustrated talk, we will look deeply at the devastation of heartbreak and the ecstatic arrival of true love as mythically entwined. Throughout, we will entertain multimedia versions and interpretations of the myth. Ariadne’s laments and her fate with Dionysos vary intensely across sources, even while themes of trauma and transformation archetypally repeat. Was Ariadne abandoned, or was her sleep a ruse to absolve herself of Theseus? Did her tears draw the chariot of Dionysos or had the god already driven the hero away? Can this new love thrive in the heavens or will it return to the dark mazes in which it began? Yes and yes and yes.
This talk previews a portion of an upcoming class for Morbid Anatomy on myths of metamorphosis, radical transformations of embodiment, disembodiment, and hybridization across Greco-Roman mythology and myths of pop culture.
PAST TALKS + EXHIBITS with video links
“A SMILE THAT MAKES FOREVER”: A MEMENTO MORI OF TEETH for MORBID ANATOMY’S MEMENTO MORI FESTIVAL @ the PHILOSOPHICAL RESEARCH SOCIETY, LA
September 7, 2024, 3:30pm
With each gnash, smile, or showing of teeth, the human skeleton peeks through. This illustrated talk presents examples from art, myth, and dreams to play with the poetics and phenomenology of teeth and toothsome smiles as biting ready-made memento mori of the everyday.
Bound & Infinity
PRS Salon Group Exhibition, Hansell Gallery
On View: September 21 - October 19, 2024 —- More info
Devon Deimler. Mutatas Formas: Bathroom Window, 2024. Photo collage.
33
PRS Salon Group Exhibition, Hansell Gallery
On View: September 2nd - 30th, 2023
Devon Deimler. Janus Ghost (first draft), 2023. Unfinished clay.
The inaugural PRS Salon exhibiting 33 distinct works by PRS staff, contributors and volunteers. This group exhibition will be on display from Saturday, September 2nd to Saturday, September 30th at the Hansell Gallery.
Featuring works by: Alexandra Burden, Amanda Brass, Amanda Maciel Antunes, Anthony Cozzi, Brooke Brenton, David Orr, Devon Deimler, Dillan Conniff, Edgar Fabián Frías, Eliza Swann, Elizabeth Gill Lui, Elizabeth T. Vazquez, earpediem, Fahad Siadat, Kai Sugiyama, Kristen Phillips, Michael Dorsey, Sara Alessandrini, Stephen Reedy, Taylor Johnson, theatre dybbuk, Tiensirin Tienngern, Victoria Kraus
Curated by: Michael Dorsey, dama, Kelly Carmena, Amanda Brass, and Liz Vazquez
“Rocks in Our Heads”
Curators’ talk for Feeding the Unseen: Remediations of Earth, with co-curator Heidi Gustafson
Yuri Shimojo, Rudy Blue Unbroken Line (for Jason), 2022
Feeding the Unseen: Remediations of Earth
Exhibit co-curated by Heidi Gustafson and Devon Deimler
June 3-July 30, 2023 @ the Philosophical Research Society
Spiritually-charged rocks, soil, metal, and pigment. Intimate acts of alchemy. Renewed cultural practices. Remediations of earth with earth. Elemental magic. The artists of Feeding the Unseen critically engage the metamorphic gravity of living on a mortal planet.
Works by: Camas Logue, Sarah Hudson, Valerie Piraino, Onya McCausland, Charles Simonds and Rudy Burckhardt, Yuri Shimojo and Jason Logan, Kelley O’Leary, Morgan Williams, Treasure of Abundance, Alana Siegel, Maru García, Marilú Ríos Guerrero, Heidi Gustafson, Thomas Little and Dylan Kehde Roeloefs, Tilke Elkins and Wild Pigment Project, Charles Deimler, Corwin Fergus.
Hybrid Moments: Myths of Crisis, Metamorphosis, and Aesthetic Survival
December 13, 2022 @ the Philosophical Research Society Watch via PRS
Myth and folklore are known for their hybrid creatures—minotaurs, mermaids, sphinx, and satyrs—as well as bizarre transformations between gods and animals, humans and objects, angels and monsters, underlings and kings. These strange fascinations are not only wonders of the imagination but look-alive images of emotional truth. Metamorphic myths portray the necessity of metaphorical and bodily change during moments of crisis—when survival is a matter of changing form.
This presentation dwells on feminine figures who become trees (Daphne) or birds (Nyctimene, Cornix) to escape sexual violation; the transfiguration of trauma into objects like ceiling fans and tin machines (Twin Peaks); and how real-world drastic times call for drastic measures—and drastic myths.
Ultraviolet Concrete! Dionysos and the Ecstatic Play of Aesthetic Experience
June 25, 2019 @ the Philosophical Research Society
MORE TALKS
“The Double-Door of Dionysos & Ariadne’s Ecstatic Lament” @ Morbid Anatomy. Class for Morbid Anatomy series, Ambivalent, Chthonic, and Infernal: Dark Deities of Abundance and Destruction. July 27, 2023.
“Hybrid Moments: Feminine Myths of Crisis, Metamorphosis, and Aesthetic Survival.” Live online talk for Morbid Anatomy, May 22, 2023 ~ revamped version of PRS talk, December 2022
“The Owls Howl at Midnight: From Midnight Movies to Twin Peaks’ Return as Ultimate-Reality TV” @ online Mythologium Conference, August 2, 2020
“Strange Fascinations: James Hillman, the Art of Contemporary Myth & Myths of Contemporary Art.” @ OPUS Archives & Research Center. April 2020 ~ cancelled due to covid.
“Dionysos, Dennis Hopper & the Ecstatic Play of Aesthetic Experience” @ Art & Psyche Conference, UCSB. April 6, 2019
“Dionysos: Otherworldly God of Revealing and Re-Veiling” @ the International Association for Comparative Mythology Conference, Edinburgh, Scotland. June 9, 2017.
“The Everyday Ecstatic God-Man: Dionysos and Dennis Hopper” @ the Popular Culture Association Conference, Seattle, WA. March 22, 2016.
CV for all.
CINEMYTH SCREENING SERIES
Screening / film clip presentation + discussion series curated for the Philosophical Research Society.
Cinemyth was a screening series for taking in and seeking out the mythic dimensions of cinema. Films are wisdom texts of sound and vision, full of mythic truths told slant and the creation of aesthetic worlds. They engage the perennial themes of life and the unique conditions of their subjects. In the right hands, they question prevailing cultural mythologies and create fully new myths and icons in their own right. In a sense, to think mythically is to think in genre. As such, each Cinemyth series was curated according to a specific sub-genre.
WINTER/SPRING 2020: HUMAN BEING/BEING HUMAN IN THE DIGITAL AGE
FRANKENSTEIN ON REPEAT: CREATORS, REPLICANTS, & REVELATION IN TECH-HIGH FILM - 2/25/20
Cancelled due to 2020.
FALL 2019: L.A. MOVIES
THE EXILES - 10/13/19
Dir. Kent Mackenzie, 1961
In conjunction with L.A. Stories 10/8: Helen Hunt Jackson’s Romantic Southern California.
THE PLAYER - 11/3/19
Dir. Robert Altman, 1992
In conjunction with L.A. Stories 10/29: F. Scott Fitzgerald’s Hollywood
PERMANENT MIDNIGHT - 12/8/19
Dir. David Veloz, 1998
In conjunction with L.A. Stories 12/3: Jerry Stahl’s Hallucinatory Los Angeles
SUMMER 2019: REVISIONIST WESTERNS
DEAD MAN & THE WESTERN DREAM - 6/2/19
Dir. Jim Jarmusch, 1995
Guest presentation: “Poetry Written in Blood” by Dr. Greg Salyer
\EASY RIDER & THE SEARCH FOR FREEDOM - 7/14/19 (50th Anniversary)
Dir. Dennis Hopper, 1969
Presentation by Devon Deimler, PhD
UNFORGIVEN & THE MYTH OF THE MAN WITH NO NAME - 8/11/19
Dir. Clint Eastwood, 1992
Guest presentation by Aaron Kemp, PhD